Shuttersparks

Welcome to my musings on whatever topic catches my eye, plus stories, recipes, handyman tips, welding, photography, and what have you. Oh, and analog/digital hardware design, and software. Please comment on the blog post so everyone who visits can see your comments.

Year: 2009 (page 1 of 5)

The Gandhi Model will not work in Iran

The Gandhi Model of peaceful, non-violent resistance worked in India and it worked for the civil rights movement in the United States. Unfortunately, I don’t think it will not work in Iran. The Gandhi Model only works if the ruling government is made up of people who have some basis in morality and who place at least some value on human life. But dealing with the rulers of Iran and the Basij is like dealing with a crocodile or great white shark. Passive resistance is useless.

A Reality Check for the Recording Industry

For several years now there have been stories in the news about the RIAA suing private individuals who engaged in music file sharing and downloading. Recently ASCAP tried to get into the act with the idea of charging royalties for ringtones and with their demands worded in such a way that it sounded like one would have to pay a royalty for whistling a tune.

What we are seeing are the dying gasps of an obsolete business model and I’d like to point out some realities that should be remembered by all involved.

Music has been a part of humanity for a very long time, thousands of years. The recording industry is a very recent phenomenon that has only existed for the last 100 years, ever since it became possible to record and play music on a machine. The invention of the phonograph made it possible for a business to spring up around the idea of selling pre-recorded music. This business model was viable as long as it was possible to control the means of production of the media. The end of this business model began with the introduction of tape cassettes, the first popular recording medium that made it easy for private individuals to copy music recordings for themselves and also to sell them. But cassettes still involved physical media and themselves cost money. There were also quality issues because a copy was never as good as the original, and successive copies rapidly became worse in quality. With the introduction of digital recording and the Internet, it became possible for private individuals to make copies without limit, with no loss of quality, and to transport copies anywhere in the world instantly, without physical media. This ability signaled the final end for the recording industry that sprang up 100 years ago.

Representatives of the recording industry loudly proclaim that the end of their business means the end of your music. They threaten that if nobody purchases their music, there will be no more good music and they would have you believe that the “recording industry” is music. This is, of course, a bald-faced lie. Representatives of the recording industry hope that people overlook the fact that their business is very young, only 100 years old, and they hope that people overlook the glaringly obviously fact that the greatest music produced by humankind was created before the recording industry even existed.

Music is art, not CDs. The music moguls who have made billions of dollars from selling the work of talented artists do not want to lose their cash cow. It has nothing to do with whether music will be created. Bach, Beethoven, Mozart, and all the rest did not create their music with the hopes of selling records, going “platinum”, or any of that. They created music because they were inspired, music was in their heart, and they wanted to say something with their music. The recording industry promotes the idea that they are music when in fact they are simply merchants of copies of works created by talented artists.

Whether they want to recognize it or not, the music moguls have lost their cash cow. They have lost it irretrievably because technology has moved past the need to sell physical media whose production and distribution can be controlled. The game is over. The business model is obsolete and dead, and can never be revived. It’s just sad and somewhat sickening to watch the recording industry press their law firms to come up with ever more outrageous attempts to rescue them from their sinking ship.

As we watch the death of the recording industry, bear in mind that the recording industry is not music, it is a particular way of marketing recorded music. Music is not going to go away. Keep a sense of perspective and don’t lose sight of the fact that the recording industry is made up of merchants no different than the fish merchant down the street. The fish merchant did not create the fish, he just sells the fish. The same is true of the recording industry merchants. Don’t be fooled by the hyped threats.

Flickr Explore

Finally got a couple of photos into Explore! again on Flickr. Yay!

Click the photos to see larger versions.

Greenish transparent jumping spider. This spider makes it apparent that Salticidae are different from ordinary spiders in many ways. For example, their legs are not operated by muscles and tendons, but by hydraulics. You can also see the tiny black dot at the tip of each leg — the spider’s “foot”. Each of those contains around 600,000 microscopic setules which enable these spiders to stick to surfaces by means of the Van der Waals force (an electrical effect). When walking on the ceiling, each of those tiny black “feet” can hold up to 170 times the spider’s weight.

On Flickr

Here’s a fairly common sight in the tropical regions of Central America, the Brown Bark Scorpion. I’m holding this one here by blinding him with a bright light. They have several pairs of eyes and you can see its primary eyes shining like diamonds. Since I startled it, it’s playing possum, playing dead. Notice the tail flopped over to one side and legs all askew. There’s actually nothing wrong with this scorpion and it’s quite alive.

On Flickr

 

 

It Appears We’ve Finally Found the Evolutionary Missing Link

Scientists have discovered an exquisitely preserved ancient primate fossil that they believe forms a crucial “missing link” between our own evolutionary branch of life and the rest of the animal kingdom.

The 47 million year old primate – named Ida – has been hailed as the fossil equivalent of a “Rosetta Stone” for understanding the critical early stages of primate evolution.

The top-level international research team, who have studied her in secret for the past two years, believe she is the most complete and best preserved primate fossil ever uncovered. The skeleton is 95% complete and thanks to the unique location where she died, it is possible to see individual hairs covering her body and even the make-up of her final meal – a last vegetarian snack.

“This little creature is going to show us our connection with the rest of all the mammals; with cows and sheep, and elephants and anteaters,” said Sir David Attenborough who is narrating a BBC documentary on the find. “The more you look at Ida, the more you can see, as it were, the primate in embryo.”

“This will be the one pictured in the textbooks for the next hundred years,” said Dr Jørn Hurum, the palaeontologist from Oslo University’s Natural History Museum who assembled the scientific team to study the fossil. “It tells a part of our evolution that’s been hidden so far. It’s been hidden because the only [other] specimens are so incomplete and so broken there’s nothing almost to study.” The fossil has been formally named Darwinius masillae in honour of Darwin’s 200th birthday year.

It has been shipped across the Atlantic for an unveiling ceremony hosted by the mayor of New York Michael Bloomberg today. There is even talk of Ida being the first non-living thing to feature on the front cover of People magazine.

See more here.

STS-125 Atlantis Solar Transit (200905120002HQ)

These photos are too cool not to post.

In this tightly cropped image, the NASA space shuttle Atlantis is seen in silhouette during solar transit, Tuesday, May 12, 2009, from Florida. This image was made before Atlantis and the crew of STS-125 had grappled the Hubble Space Telescope. Photo Credit: (NASA/Thierry Legault).

Originally uploaded by NASA HQ Photos. STS-125 Atlantis Solar Transit (200905120002HQ).

In this tightly cropped image, the NASA space shuttle Atlantis is seen in silhouette during solar transit, Tuesday, May 12, 2009, from Florida. This image was made before Atlantis and the crew of STS-125 had grappled the Hubble Space Telescope. Photo Credit: (NASA/Thierry Legault). Click to see larger.

Above photo, uncropped. Click to see larger.

The NASA space shuttle Atlantis and the Hubble Space Telescope are seen in silhouette, side by side in this solar transit image made at 12:17p.m. EDT, Wednesday, May 13, 2009, from west of Vero Beach, Florida. The two spaceships were at an altitude of 600 km and they zipped across the sun in only 0.8 seconds. Photo Credit: (NASA/Thierry Legault)

Above photo, uncropped. Click to see larger.

Thierry made this image using a solar-filtered Takahashi 5-inch refracting telescope and a Canon 5D Mark II digital camera. Photo Credit: (NASA/Thierry Legault)

We Grow ‘Em Big in Central America

I just had to post this photo taken in Costa Rica. I hope you enjoy it.

La Lagarteada en Ortega de Santa Cruz, Guanacaste Costa Rica. Nestor Baltodano.

Originally uploaded on Flickr by Néstor Baltodano
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